Celebrating the Holy Day Of New Orleans Voodoo

St. John’s Eve is the Holy Day of New Orleans Voodoo and is one of the only feast Days in Catholicism that celebrates the birth of St. John the Baptist, the other two being Jesus and Our Lady. Usually, feast days celebrate the deaths of saints. In New Orleans, it is the day for celebrating the Mother and Father of New Orleans Voodoo, Marie Laveaux and Dr. John Montanet. 

The celebrations of St. John's Eve typically honor Marie Laveaux. I am certainly among those to pay homage to our Queen this time of year. However, I think it is time to start deliberately celebrating Dr. John, as well. After all, he did as much for New Orleans Voodoo as did Marie Laveaux. He brought gris gris into the commercial practice, taught Marie Laveaux the art of gris gris, and played a prominent role as a drummer in the celebrations at Congo Square - rhythms that can still be heard today.

There are a number of small things you can do to begin incorporating Dr. John into your yearly celebrations. As he is considered the patron loa to drummers and male Voodoo practitioners (although, as a lover of women and other personal reasons I will not disclose at this time, I believe he can just as well be patron loa to women as well), any celebration that incorporates drums and drumming is appropriate. Since he was a rootdoctor, offerings of any medicinal plants and foods can be made to him. Louis Martinie suggests medicinal liquids like camphor are also appropriate.

Some customs to observe this day in honor of Dr. John and St. John center around the gathering of St. John’s Wort, Mother Earth’s own protection ward and antidepressant. To harvest, cut the top half of the plant, tie into a bundle and hang to dry. Hang a few sprigs above doors and windows as a protective ward. Tie a few sprigs together with red string and hang above the image of St. John to keep evil away. Better yet, plant a few in your garden in honor of the great rootdoctor.

St, John's Wort is a wonderful medicinal herb. It can be used medicinally as a general tonic for wellbeing or for specific conditions such as depression, sleep disorders, chronic tension headaches, and mild rheumatic pain. To reap the benefits of this marvelous little magical and medicinal herb, make a tea or tincture:

• To make a tea, place two teaspoons of the dried herb in a cup of boiling water for 15 minutes, strain and drink 3 times a day. Add sweetener to taste.

• To make a tincture, place 3 ounces of the dried flowers or fresh herb to fill a one pint jar. Cover with Everclear and shake the contents well. Let steep for two weeks, shaking the jar once a day. The resulting liquid should be a bright red, which represents the color of the blood of St. John, whose beheading is remembered on August 29th. Strain out the herbs and pour into 1 oz dropper bottles Drink two droppers full three times a day for adults and one dropper full for children.*

A custom in celebration of St. John is to make a wreath and hang it on the front door. Wreaths are made from the foliage of magnolia and oak trees, cushion bush, asparagus fern, bay laurel and marjoram. Flowers for the wreath can include lavender, larkspur, hydrangea, baby's breath, goldenrod, pussy willow, yarrow, purple coneflower, roses and globe thistle.

I will post a magic lamp for Dr. John in an upcoming post so stay tuned! You might also be interested in an article I posted at the New Orleans Voodoo Examiner called What can we Learn about Dr. John Montenet from his Handwriting?

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Article Copyright 2013 Denise Alvarado All rights reserved.

* This information has not been evaluated by the FDA and is not a substitute for medical care given by physicians or trained medical professionals.

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Custom Devotional Altar Dolls

Mad busy this time of year with Custom Voodoo Devotional Altar Dolls! Tell me who you want and I will make it for you! These custom devotional altar dolls are lovingly constructed from a base of sticks and Spanish moss in true New Orleans Voodoo folk art tradition. They are self standing and measure around 10 to 12 inches tall. No spirit is off limits, we are inspired to create sacred spiritual art from any tradition to suit your needs. We use the finest fabrics, lace brocade, ribbons and fancy yarns, feathers, beads, leather, fur, and semi precious stones. The faces are hand sculpted out of polymer clay and painted. All of our dolls are anointed with highly perfumed, exotic oils. Put the icing on your favorite altar with one of our one of a kind devotional altar dolls. Order now and get your order by Christmas! Pictured is Serket. You can see all my dolls at Planet Voodoo www.planetvoodoo.com and purchase from that site if you prefer or crossroadsmojo.com.

Casey Anthony Voodoo Dolls: Profit from Murder or Justified Revenge?

When the whole country first became aware of the murder of little Caylee Anthony, the media latched on to the story like no other. And after the arrest of her mother Casey Anthony on July 16, 2008, people with a macabre perception of  free enterprise clamored to make a buck off of  what panned out to be one of the most notable cases of this century for the murder of a child.

It wasn't long before someone claiming to be from my hometown of New Orleans created a voodoo doll representing Casey and put it on eBay for sale. What that person did with the money, I don't know. In fact, for the longest time I tried to find out who was making these dolls, but never did find out. It certainly got more than the appropriate share of press which I am certain spawned further sales. And of course, others jumped on the bandwagon with their attempt to make a more "palatable" doll in the eyes of the general public when the Caylee Anthony Sunshine Doll was created in 2009. Fortunately, this distasteful product launch was not met with the public's embrace and the Anthony family attorney demanded it to be taken off the shelf, which it ultimately was.

Now, I am getting Google feeds daily about the demand for Casey and Cindy Anthony voodoo dolls. I have even been approached about making these dolls. After all, I have written articles and have several mini sites dedicated to predators and child sexual abuse AND I make Voodoo dolls. But here is a big difference: I make Voodoo dolls and these other folks make voodoo dolls. Furthermore, my websites that are geared towards predators and child abuse are all not for profit with 100% of the proceeds going to the Polly Klass Foundation.

http://www.theweeklyvice.com/2009/01/casey-anthony-voo-doo-doll-for-those.html

This whole issue of people profiting off of the murder of others spawns many discussions, the least of which is the question of morality. Is it right to profit from other people's pain? This is a complicated question in the world of hoodoo if one is a two headed practitioner. And the answer would be "yes", if we are to be completely honest. People come to practitioners because they are hurting, desperate, tired, and sick and tired of some person, place or situation. We do what we can to help them change it, whatever it is. But, there is a big difference in this kind of profit as opposed to profiting off of the murder of a child, or any murdered person for that matter.

Many folks will say there is no moral code in hoodoo, usually in reference to the concepts of karma and the Wiccan rede that are not part of the African-derived traditions. But I disagree with this. Of course there is a moral code in hoodoo, and it is as individual as the practitioners themselves. We are all guided by our own set of morals, shaped by our upbringings, beliefs, and life experiences. To say otherwise is just ignorant.

http://www.babble.com/mom/selling-casey-anthony-25-weird-wacky-items-from-etsy-ebay/

Yet, the whole discussion of "hoodoo morals" is, in my opinion,  a good one. All religions and spiritual practices have a set of guidelines governing moral behavior. The idea that in hoodoo or the public concept of voodoo one can do whatever they want because there is not a written or universally determined body that regulates behavior is ludicrous. Typically, this stance is defended because hoodoo is a "magickal system" and the general public has no real understanding of the Voodoo/Vodou religions. If this is true, then why do we always say to perform cleansings after doing such work? Because we aren't worried there will be negative side effects? Because we want to separate our energy from the energy that we have manipulated? Because we don't want to be attached to whatever situation it is we are working? Because we don't want our families and pets to suffer as a result of putting the mojo on someone? Or all of the above? The World of Spirit has its own set of rules, and if you are going to be a player in that world, you had best be ready to deal with the consequences of your choices within that world.

But is revenge ever justified? And is it ever justified to do Voodoo or hoodoo on a perpetrator? Of course it is. Particularly in cases of child abuse, sexual abuse, rape, and murder of a child it is justified and we have specific spirits that are more than willing to take on these cases upon request. The best discussion I have ever read to date on this issue is in Luisah Teish's book Jambalaya; The Natural Woman's Book of Personal Charms and Practical Rituals. In that book, Chief Luisah Teish discusses the case of rape and how one might going about seeking revenge in a manner that has the desired outcome in terms of punishing the offender and keeping oneself safe from negative consequences of initiating such revenge. If this book is not a part of your library, whether you are a man or a woman, I highly recommend it.

Casey Anthony and Cindy Anthony Voodoo dolls are wrong and I will not be among those people who make them and sell them on eBay. Not only do I hate eBay, I hate the very idea of profiting off of a child's murder. There is nothing in that scenario that I can see to make it a good idea, unless one is doing it for the express purpose of raising money for an appropriate, related organization with the power to do a lot of good in this world. Otherwise, these folks are creating their own bad mojo. Whether you believe in karma or not, or Newton's Law that states all actions have an opposite and equal reaction, or that the actions of a hoodoo has no consequences, none of us live in a vacuum in this world. We are all connected,and as such, we all effect one another.

If you are outraged by the release of Casey Anthony and want to honor Caylee's memory, and the memory of all murdered children, check out the Polly Klass Foundation as a start. There are many things we can do on a personal and social level to make a difference in the prevention of violence against children and to help in finding missing and exploited children. I have listed a few links below for your convenience.

Finally, there is power in numbers. Whether it is a social cause or spiritual cause, when a group of people focus their energy to a desired end, there is a greater chance of seeing the change you want to see. If you wish to effect change on a spiritual level, work in tandem with the people in your magickal circle towards a specific purpose. Help to send light and protection to the children in the world who need it. Bind the perpetrators. Do whatever you feel is within your power to do. The important thing is to take action. Sitting idly by without doing anything is complacency, and that has its own set of consequences.

Never doubt that a small group of thoughful, committed people can change the world. Indeed, it is the only thing that ever has.

(Margaret Mead 1901-1978)

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Image Credit: (Top) http://www.orlandosentinel.com/news/crime/orl-casey-voodoo-doll-photo-photo.html

In the Company of Black Hawk

We all know that Black Hawk is an important figure in many spiritualist churches. He is not found in all churches, which is evidence of the independent nature of the various congregations. Typically, it is the spirits that follow the reverend mothers and bishops of the churches that dictate which spirits are emphasized in worship.

The emergence of Black Hawk among spiritualists can be traced to Leafy Anderson, who, according to some reports, was half Mohawk Indian and the assumed founder of the spiritualist church in New Orleans. She is reported to have said Black Hawk was the saint of the south while White Hawk was the saint of the north. I don't remember anything about White Hawk in New Orleans; what I know of him is from an indigenous perspective and from study of the spiritualist church doctrine and manual for reverend mothers.

Though spiritualists will often deny any association with Voodoo or hoodoo, there are a number of similarities and correspondences. The emphatic public dissociation with Voodoo and hoodoo makes sense given the sociopolitical climate in the early twentieth century when African Americans were routinely hassled for their religious beliefs and often imprisoned.

There are a few major spirit guides that are emphasized among spiritualists in New Orleans. Among them are St. Patrick, not surprising given the importance of Damballah Wedo in the New Orleans Voodoo pantheon and the subsequent syncretization of the two. Queen Esther is another major Spirit guide, though she did not take off in popularity like Black Hawk or St. Patrick. This is curious given her worship is focused on the empowerment of women and breaking the confines of socially determined gender roles. The spiritualist church is clearly a female dominated tradition.

Father John is another of the popular spirits of devotion in the Church. It is difficult to determine his origin and it seems to depend on who you talk to. He is affectionately referred to as Cousin John, Father John and some say Father Jones, though it is not clear whether or not Father John and Father Jones are the same spirit. Father John is reputed to be a great doctor and healer and guiding force among the spirits themselves. For this reason, he is often said to be the spirit of Dr. John, the famous gris gris doctor in New Orleans during the time of Marie Laveau. His energy feels consistent with this theory to me.

In addition to these popular spirit guides that appear among spiritualist circles, it is interesting to note that Black Hawk sometimes appears with two other spirits on his altar. This is something that you may not be aware of unless you are from New Orleans and have ever peered into a church yourself. I call them the Holy Trinity of Spiritualism, though not everyone will share this perspective since there is great variation in the spirit guides among churches themselves. However, they appear frequently enough that I believe it is a fitting description.

There is the common depiction of Black Hawk's altar consisting of his statue sitting in a bucket of sand. Yes, this is one way of creating his altar, but is by no means the only way, nor is it the manner in which he is situated in the Spiritualist Churches themselves. The "Black Hawk in a bucket" scenario is often promoted by those with no real ties to the Spiritualist Churches of New Orleans or with New Orleans Voodoo and hoodoo. Alternately, it is a tradition practiced by some elders in the Hoodoo tradition who maintain an altar in this manner in the privacy of their homes. I personally have Black Hawk sitting in a metal galvanized bucket that is filled with a mixture of different earths; some from the land of his birthplace, some from a crossroads, some from a graveyard, etc. The earth blend that he sits on is a very powerful blend that can be used in other works pertaining to him and in starting buckets for others who tutelage under me. Having Black Hawk sit on a blend of earths such as I have described is an old tradition that seems to have been whitewashed in the bucket of sand scenario.

There are many other nuances about Black Hawk that I may eventually share as someone who is an insider looking out as opposed to an outsider looking in. What I want to focus on and stimulate discussion about is his relationship with two other spirits that sometimes appear on his altar in what I call  the Holy Trinity of Spiritualism. These two other Spirit Guides are St. Michael the Archangel and Dr. Martin Luther King.

There are numerous cultural and religious implications with this trinity of spirits, and close examination of the three reveals a lot about the collective psyche of the people who follow this tradition. New Orleans is a wonderful city in many ways but it has an awful, dark history of discrimination and oppression of people of color, particularly Africans and Indians. This fact is one common ground that unites the two populations. From this perspective, it is not surprising to see Black Hawk and Dr. Martin Luther King gracing the same altar.

It is also not surprising to see St. Michael share the same altar. St. Michael is said to be the defender and Guardian of Israel. He also is a protector and defender of an oppressed people. An altar to Black Hawk will many times have one or two statues of St. Michael flanking the statue of Black Hawk with a photograph of Dr. Martin Luther King hanging on the wall behind or standing in a frame behind Black Hawk.

But what do Jewish people have to do with New Orleans, you may ask? Well, the Jews were right up there with Africans in the Code Noir (Black Code) set forth and implemented by King Louis of France, which called for the forced religious conversion of all Africans to Catholicism and the expulsion of Jews from the city. The first three articles of the Code speak for themselves:

Article I. We desire and we expect that the Edict of 23 April 1615 of the late King, our most honored lord and father who remains glorious in our memory, be executed in our islands. This accomplished, we enjoin all of our officers to chase from our islands all the Jews who have established residence there. As with all declared enemies of Christianity, we command them to be gone within three months of the day of issuance of the present [order], at the risk of confiscation of their persons and their goods.

Article II. All slaves that shall be in our islands shall be baptized and instructed in the Roman, Catholic, and Apostolic Faith. We enjoin the inhabitants who shall purchase newly-arrived Negroes to inform the Governor and Intendant of said islands of this fact within no more that eight days, or risk being fined an arbitrary amount. They shall give the necessary orders to have them instructed and baptized within a suitable amount of time.

Article III. We forbid any religion other than the Roman, Catholic, and Apostolic Faith from being practiced in public. We desire that offenders be punished as rebels disobedient of our orders. We forbid any gathering to that end, which we declare to be conventicle, illegal, and seditious, and subject to the same punishment as would be applicable to the masters who permit it or accept it from their slaves.(Édit du Roi, Touchant la Police des Isles de l'Amérique Française (Paris, 1687), 28–58).

Given the eventual syncretization of Catholic saints into the New Orleans Voodoo pantheon, it is logical and clear as to how St. Michael found his way on the altar beside Black Hawk and Dr. Martin Luther King.

Black Hawk is referred to as the "Watchman on the Wall" who will "fight your battles for you". He is the guardian of a combined Indian nation, the Sauc and Fox (together referred to as Meskwaki). St Michael is the Guardian of the nation of Israel and her people, and Dr. Martin Luther king is the champion of the Civil Rights movement and representative of freedom from bondage and great leadership. All three of these spirits convey a message of strength, victory, and militancy.

References

Édit du Roi, Touchant la Police des Isles de l'Amérique Française (Paris, 1687), 28–58

Painting of St. Michael by Erzengel Michael, circa 1636, p.d.

Photo of Black Hawk Bust copyright 2009 by Denise Alvarado, All rights reserved.

Photo of Dr. Martin Luther King from the Library of Congress. New York World-Telegram & Sun Collection, p.d.

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Copyright 2010-2013 Denise Alvarado, All rights reserved worldwide. Please ask if you would like to repost this article.

Who Skinned the Black Cat? Online Botanica sells the Face of a Black Cat as Good Luck Curio

I want to know, since when was a black cat face used for good luck?

I don't quite remember how I stumbled upon this page the other day, all I know is that I did.  I normally like to peruse Papa Jim's Botanica site because he carries stuff I don't carry. However, this is one item I won't be purchasing from him or anyone else, and I certainly won't be aspiring to carry it.

The website says "Black Cat Face. Place in your home or business for Good Luck, Protection From Evil."

"This product was added to our catalog on Thursday 24 February, 2011."

Now, I am all for  the rare and hard to find curios and I will climb a mountain or mountains (literally) to get them. But a black cat face?

I don't even know where to begin with this one.

Well, I posted a link to it on my Facebook page and got a lot of responses, which is why I thought I would blog about it and do a little scientific examination of the evidence. And, being the scientist that I am, I have an inquiring mind and I want to know, who skinned the black cat?

Any research begins with a question. We want to find out something, so we research it. We form a hypothesis and develop a theory, collect our data and then methodically go about proving or disproving the hypothesis. The results may or may not support the hypothesis. Either way, if we can confirm one way or another it's good research, even if we don't confirm the initial hypothesis because at least we have accurate information about the issue at hand and draw a conclusion or conclusions based on facts. We end up with more information than we had in the beginning of the research so we add to a specific body of knowledge that everyone can draw from. Not only do we benefit the scientific community with new found knowledge, we also benefit society at large.

Research also begins with something the researcher is passionate about. When I saw this image and the accompanying advertisement, I was appalled. And I am  not alone. Here are a couple of the comments that supported my initial reaction:

Sorcha Puridai Isn't there some law against that? It should be reported. If it originates from outside the country, it's illegal to import - or export if its inside. There should be a way to shut this down. More education is needed because there are superstitious and impressionable people out there who support this kind of trade ...

Fred Cislo Jr Okay that is just wrong! I would be pissed if somebody told me they bought that!

And there were more. but then, there was this post:

Willa Wylde im betting its not a cat face at all but a fox, you can buy them from various leather places like Tandy, i used to use them to make dream catches and such it even looks like the fox shape...just saying

It's always good to have different opinions about things. Sometimes we can't see the other side of Exu's hat because we can't stand on both sides of the street at one time. But, if we are open-minded and don't jump to conclusions, we can discover the truth based on the evidence at hand.

After reading Willa's comment, I questioned whether or not it was in fact a fox and not a cat. I am not convinced either way...yet.

Now I am writing an article about black cat sacrifice in Volume 2 of Hoodoo and Conjure Quarterly so I don't want to repeat that here, but I do want to give a little contextual background for our informal study of this alleged black cat face. There is no doubt that the use of black cats in magick has a long history in Europe and in hoodoo. Cats played a large role in ancient Egyptian society, for example, as they were used for pest control and were deified (i.e. Bast, Mafdet). In fact, cats  were afforded the same mummification and burial as people were. In ancient Greece, cats were revered and if one was found hurting or killing a cat, even accidentally, the punishment was death.

In New Orleans Voodoo, black cats have been the subject of controversial sacrifice  in the past, particularly with regards to finding the one bone in the body that is all powerful.

Thanks to Robert Tallant and other writers who focused on specific excerpts of his mostly inaccurate and sensationalized account of New Orleans Voodoo, the urban legend of the black cat as THE sacrificial lamb of New Orleans Voodoo has become an undisputed historical fact. He even has a chapter in his book Voodoo in New Orleans called Skin a Black Cat with your Teeth. According to Tallant, “ Sacrifice and the drinking of blood were integral parts of all Voodoo ceremonies. Usually it was the blood of a kid that was used, but often it was that of a black cat”(Tallant, p. 15). The prevalence and inaccuracy of such accounts is something I discuss in the article in HCQ. One thing I have not been able to find, whether truth or fiction, is the use of a black cat face specifically, for good luck.

In at least 20 articles I researched for the article in HCQ, absolute statements are made about the orgiastic parties led by Marie Laveau where the Voodoo worshippers danced around a cauldron filled with frogs and into which snakes and a black cat was tossed. Where did they get their information? Tallant of course, typically the only source cited for these statements. Since the sacred serpent, Li Grande Zombi, is our major Spirit in New Orleans, I hardly doubt anyone was throwing snakes into a cauldron. With such proliferation of unsubstantiated claims, it has become an almost iconic representation of New Orleans Voodoo, albeit completely biased and unfounded. It reminds me of a similar phenomenon that is prevalent on the internet today where people take one source, usually Wikipedia, and regurgitate the information without any critical analysis of the information and without any original authorship that contributes to the body of knowledge. YAWN....

Now the black cat bone is another issue, and it is seemingly supported by local lore and in various blues songs such as the one I have in this post. The truth is, however, the use of black cats in sacrifice didn't start with New Orleans Voodoo or hoodoo. For example, here is a description of the gruesome black cat bone ritual found in the book of St. Cyprian (O Antigo Livro de São Cipriano: Capa de Aço) first published in 1849:

Cook the body of a black cat in boiling water witH white seeds and wood from the willow until the meat is loosened from the bones. Strain the bones in a linen cloth and, in front of the mirror, place the bones, one by one in your mouth, until you find that you have the magic to make you become invisible. Keep the bone with the magic property and, if you want to go somewhere without being seen, place the bone in your mouth."

Do I have to say that a black cat bone, even the "one" alleged special bone will not make you invisible? Admittedly I have not tried it, but I would bet it just ain't so.

During the 17th century, a cat boiled in oil was believed to be excellent for dressing wounds (Russell, 1972). While the mental picture of this is reprehensible, there may have been some (unknown at the time) scientific merit to this, if it was a black cat that was used.

Researchers at the National Institutes of Health discovered the gene mutations associated with a black coat in three types of black cats: the domestic cat, jaguar and South American jaguarundi. Apparently, the mutations affect a gene in the same family as one that causes a resistance to HIV in humans. "There is a mutation in humans that knocks this gene out and causes complete resistance to HIV," O'Brien said. So it may be that the same gene responsible for a black coat may also provide resistance to diseases. You can read the whole article here.

In hoodoo and in New Orleans Voodoo, black cats are associated with good luck and have been advertised as such since the late 1930s. They are particularly good luck in sports and games of chance. The tail of a black cat when pointing upward was considered lucky, and if you stroke a cat's tail nine times before playing cards, it is said to give you a winning edge in card games.

There are many references to the various mystical attributes of black cats from numerous cultures - some positive and some negative. Most "superstitions" about black cats are positive, up until the Middle Ages, that is.

I was born and raised in New Orleans and lived there over thirty years, and I never heard of using the face of a black cat for good luck or anything else. That doesn't mean it never was, just that I never heard of it anecdotally. Even the folks I knew who practiced the darker arts never used the skin of black cats. And try as I might, I can't find reference to the use of a black cat face specifically as a good luck curio in any of the folkloric or anthropological literature. I searched the entire database of literature available through the American Anthropological Association, as well as the library at Walden University, through which I have access to hundreds of academic journals. Nothing...not even a hint. If anyone knows of a reference, please post it in the comments section because I would really love to know if I missed something.

However, my question, who skinned the black cat? is jumping the gun. I have to first prove there is indeed a black cat face on Papa Jim's website.

Research Question: Is Papa Jim's Botanica really selling a skinned black cat face on their website?

Or, is it the face of a fox? Let's examine the evidence, beginning with the obvious. Papa Jim's Botanica states: "BLACK CAT FACE... Place in your home or business for good luck, protection from evil."

Of course, you can't believe everything you read or see, so let's check out the photos and and see if we can differentiate the alleged black cat face from a black fox face.

The first aspect of the images to compare is the shape of the faces. I found a couple of photos of black fox faces and compared them against the black cat face found on Papa Jim's Botanica website. To do this, I used Photoshop to remove the backgrounds of both photos and placed them side by side for comparison. And to be completely fair, I am aware of the variations of pelts and there are some fox faces that appear more rounded than pointed, so I did a side by side comparison of those  as well.

Sample 1:

Sample 2:

Next, I took the individual photos and superimposed them on top of each other, taking care to size them to equal sizes without distorting the ratio. Note that in the images, I made the cat face image into a colored graphic in order to clearly see any similarities or differences in the overall shape of the faces.

Sample 1: Cat face superimposed on fox face

 

Sample 2: Cat face superimposed on rounded fox face

Next, I examined the details of the photos, starting with the noses. The alleged cat face appears to have a smaller nose than the fox face, which appears to be a bit square. In addition, in both of the fox photos, the snouts are narrower than the alleged black cat photo, although the fox face with a rounded nose is not as elongated.

Another detail I noticed is the fur. The fur on the fox appears a bit coarser than the fur on the alleged black cat. And the ears...it looks as if the ears of the alleged black cat face are smaller  and more centrally located than the fox ears, which appear to be larger and laying to the sides.

So far, it's not looking good.

That said, my observations are extremely limited in both the photos and the lack of an ability to hold and feel both specimens firsthand. Further, it is difficult to see the details of either picture clearly.

Even if it is not a real black cat, shouldn't the consumer be told? Why would they say it is a black cat if it is not? It's not like they are asking hundreds of dollars for it. Is it worth selling a black cat face for $22.00?

What do you think?

I have chosen not to link to the site because I am already giving them free advertising as the subject of this blog post. No doubt, some freak will read this and want to buy it. That is on them, not me. If you want to see the ad, just google the words "black cat face" and it will come right up (unfortunately).

My first cat was a black cat named Moses. He was so sweet and I really miss him even though it has been over thirty years since he has passed. I can't imagine someone skinning a black cat and saving the face to sell on a website for good luck. That just can't be good karma.

Black Cat Ju Ju at Creole Moon

 

References

Tallant, R. (1946). Voodoo in New Orleans
California Folklore Society (1964). Western Folklore, Vol 23.

Copyright 2010-2012 Denise Alvarado, All rights reserved worldwide. Please ask if you would like to repost this article.

Absinthe Conjure Oil (Green Fairy Oil)

Here is a sneak peak into the revised edition of the Voodoo Hoodoo Spellbook. It is an excerpt from the formulary section about Absinthe. If anyone decides to try it, please do share the results!

Absinthe is a potent alcoholic beverage made from select herbs and a large percentage of the purest alcohol. In French, the word "absinthe" means "wormwood." Accounts in ancient texts date as far as 1500 B.C. mention wormwood's medicinal as well as religious significance. The original recipe was simply wormwood leaves soaked in wine.

Absinthe was also known as the "Green Fairy" during its heyday in France in the 1800s. The Green Fairy is the English translation of La Fee Verte, the French nickname given to absinthe in the 19th century. The nickname stuck, and over a century later, “absinthe", "Green Fairy", “Green Goddess”, and “Madness in a Bottle” are some of the names that continue to be used.

According to some accounts, absinthe was first formulated in the 1790s by Dr. Pierre Ordinaire, a French doctor living in Switzerland. He made it by combining wormwood with other herbs such as hyssop, coriander, anise, and melissa, with 68% alcohol. He created the amazing elixir to treat his patients and patented it as a “cure-all”, guaranteed to heal what ails you.

The legacy of absinthe as a mystifying, addictive, and mind-altering elixir continues to this day. Absinthe has been largely and incorrectly portrayed in fine art, music, literature and the media as an unnaturally glowing green liquid that causes over-the-top hallucinations and madness.

Absinthe is an anise-flavored liquor or spirit that is made by steeping wormwood (wormwood has been defined as the quinine of the poor) and other aromatic herbs (hyssop, lemon balm, and angelica) in alcohol. The drink is distinguished by its dazzling emerald blue-green clarity, due to its chlorophyll content. When mixed with water, the liquor changes to cloudy white. Absinthe drinking was exported to New Orleans and the French Quarter, where the Old Absinthe House has been a tourist attraction for more than a century. Absinthe appeared in New Orleans liquor advertisements as early as 1837, but its popularity didn't take off until the latter half of the 19th century with the opening of the barroom that would become the Old Absinthe House in 1874.

The classic French absinthe ritual involves placing a sugar cube on a flat perforated spoon, which
rests on the rim of the glass containing a measure or “dose” of absinthe. Iced water is then very
slowly dripped on to the sugar cube, which gradually dissolves and drips, along with the water, into
the absinthe, causing the green liquor to louche (“loosh”) into an opaque opalescent white as the
essential oils precipitate out of the alcoholic solution. Usually three to four parts water are added to one part of 68% absinthe.[1]

In the Czech Republic they have a different absinthe drinking ritual, which is not recommended. They set it up similar to the traditional way with a slotted spoon and sugar cubes, except they soak the sugar directly in the absinthe, then set it on the spoon and put a match to it. The absinthe in the glass, and the sugar, both ignite and the sugar melts and drips down into the glass. The remnants of the cube are eventually dropped into the absinthe and the fire is blown out. The warm absinthe is now ready to drink. This method of absinthe preparation is obviously dangerous, and again is not recommended.[2]

Aleister Crowley wrote about the spiritual/metaphysical function of water in the making of absinthe in 1917:

 "Here, too are marble basins hollowed—and hallowed!--by the drippings of the water which creates by baptism the new spirit of absinthe."

Absinthe conjure oil is used to enhance psychic visions and create unusual spiritual clarity and heightened clarity of mind and vision. This oil will also produce vivid dreams and is a powerful aphrodisiac.  

Like the absinthe ritual for creating the beverage, conjuring the magickal oil also involves a ritual of baptizing the spirit of absinthe into being. Make sure your herbs are fresh and green, though dried. This is extremely important for the final product. Here is the formula for making absinthe:

Herbs

• Cardamom
• Lemon balm (Melissa)
• Hyssop
• Common wormwood (Artemesia absinthium)
• Petite Absinthe (Artemesia Pontica)
• Green anise or Spanish anise, powdered
• Whole and powdered fennel
• Calamus, powdered (minor ingredient)
• Fennel, powdered
• Peppermint

Essential Oils:

• Oil of wormwood
• Anise essential oil
• Peppermint essential oil

Additional ingredients:

• Base alcohol (beet alcohol or grape alcohol is traditionally used, but you can substitute Everclear since we are not concerned with the taste)
• Distilled water
• Sugar cube

If you have gathered your own wormwood, your will need to strip the leaves from the stems because you only want to use the leaves. Combine all of the herbs in a mortar. Gently macerate the herbs together until they are well mixed and the fragrance is strong. Pour a quantity of base alcohol in a copper pot and dilute with distilled water to about 85%. Add the herb mix and allow to steep in the alcohol over night. In the morning, add a little more water and heat over the stove on low heat for about an hour. Keep the pot covered, and periodically stir the mixture and collect the condensation from the lid of the pot. Take off of the stove and allow the liquid to cool. Strain the alcohol out of the herbs and do a second maceration with the artemesia, hyssop, and lemon balm using about half of the strained liquid. You can either add the herbs in loose, or put them in a tea bag to make the straining process easier later. Warm over the stove until hot but do not allow it to boil. Remove the mixture from the stove and allow it to cool. This mixture should be a bright emerald green. Strain the liquid again. Filter through cheesecloth into a clear bottle until clear of herbs and sediment. Add the first liquid to the bottle and cover tightly.

Allow this mixture to sit for a couple of weeks to allow all of the fine sediment to settle to the bottom of the container. When the liquid appears very clear, you are ready to make your smaller bottles of Absinthe Conjure Oils.

For a one dram bottle of Absinthe Conjure Oil, take about 10 full droppers of the Green Fairy liquid and put in the bowl. Add one full of dropper each of the oil of Wormwood and the anise essential oil. To this, add about half a dropper full of peppermint. Gently stir the oils and liquid. Now, fill your smaller dram bottle about 3/4 of the way full with the Green Fairy liquid.  Place a funnel into the top of the smaller one dram bottle and put a sugar cube into funnel, so that the distilled water you will add has to pass through the sugar. This is the actual baptism of the Green Fairy. Using an eye dropper, slowly add the distilled water, drop by drop, on the sugar cube until the bottle is full. The final mixture should be a milky green if done correctly.

You should have enough extra absinthe elixir to last a long, long time. It will not go bad so long as you store it in a cool dark place, in a dark amber bottle (or other dark colored glass). Do not refrigerate your absinthe elixir because some of the chemical constituents may crystallize and may not remix with the other ingredients when it reaches room temperature.

Most folks who make the Green Fairy conjure oil will simply blend the essential oils in a base of grapeseed oil, perhaps with a sprig of wormwood added to the bottle. This is certainly a less complicated method. However, as you can imagine, the effect is not nearly the same on a magickal level. You don't have the intimate relationship with the herbs, the same kind of intensity of intent from the whole process, and you don't have the baptism of the spirit of absinthe. The technique I have described here really is a fabulous process and you will feel ecstatic when you get it right.

The base absinthe formula is a vintage recipe for the absinthe brew and so it can technically be drunk as an alcoholic beverage. Please exercise caution when consuming absinthe as it is an extremely powerful Spirit.

Here are a couple of vintage New Orleans recipes for drinking absinthe. While drinking absinthe is not a hoodoo activity, it is decidedly New Orleans and so I have included them as a little lagniappe for their historical value.

Green Fairy Frappe

1 ounce base Green Fairy formula

½ ounce simple syrup

7 fresh mint leaves

1 ounce soda water

Combine mint leaves and simple syrup in a tall glass. Add crushed ice. Place an absinthe spoon over the top of the glass and place a sugar cube. Add the absinthe by carefully pouring it through the sugar cube into the glass. When all the absinthe has been poured into the glass through the sugar cube, cover with a cocktail shaker and shake vigorously. Top off the drink with soda water.

Absinthe Cocktail

1 jigger absinthe
1 teaspoon sugar syrup
1 dash anisette
2 dashes Peychaud bitters
2 ounces charged water

Fill a highball glass a little more than half full with cracked or crushed ice. Pour in the absinthe, sugar sirup, anisette, and bitters, then squirt in carbonated or other live water. Jiggle with a barspoon until the mixture is well frapped. Strain into cocktail glasses which have been iced ahead of time.[3]

---

[1]The Virtual Absinthe Museum, (2002-2008). Retrieved, July 27, 2010 from  http://www.oxygenee.com/absinthe-ritual.html

[2] Earl, J. (2008). A Brief History of Absinthe

[3] From Famous New Orleans Drinks and how to mix‘em by S.C. Arthur 1937

Copyright 2010-2017 Denise Alvarado, All rights reserved worldwide. Please ask if you would like to repost this article.

 

Purchase Absinthe "Green Fairy" Conjure Oil at Creole Moon.

 

 

What's in a Name?

Every now and again, I am asked about why various practitioners use "nicknames" as their main identity. In many traditions this is the norm. Spiritual mothers of New Orleans are all Mama something's or Reverend Mothers, and who knows how many drs there are in the world of hoodoo. I have been referred to as Mama D, Priestess Denise, Voodoo Mama, and reverend sista docta healer medicine woman by any number of people. I use to use Voodoo Mama much more than I do now, but as I have become much more in the public eye and have a serious academic reputation to maintain, I have transitioned over to my real name as my primary identity. I happen to be of the school of thought that transparency is a good thing because it gives my clients more confidence in me as a practitioner. Even when I used Voodoo Mama more than I do now, I have always been open about who I am and where I am from. Just check any of my websites and click on the About Me page and you will learn a lot about who I am, my background, and where I am from.  If anyone wants to know who I am, just look...it's really no secret.

I can't say this is the case with everyone. For some reason, there are those who insist on using a first name or some given name and do not reveal anywhere on their sites their real names or anything much about them at all. Maybe that works for them, I don't know. Personally, I would feel much more confident in having someone perform a service for me if I knew who they were, what their experience was, and where they are from. I mean, I wouldn't go to a dentist named Dr. Bob with no reference to his training or expertise anymore than I would go to a spiritual worker named Dr. Bob who gives no reference to how he obtained his expertise or background. But that's just me...

And for the haters out there, Dr. Bob is a fictitional name with no reference intended towards any real person.

I think this is one thing that is addressed with Cat Yronwode's Association of Independent Readers and Rootworkers (AIRR). For people who need such validation and have no other background or qualifications, this can be a good thing. I suppose even those who have a background could benefit as well. That is what credentials are for, to demonstrate a level of mastery over your particular area or areas. Credentialing gives you credibility because it is bestowed upon you by a group of peers who are already established in your area. But it is only one way in which a reputation of reliability is built or demonstrated. There are many more ways, such as time in the field, life experience, and related professional credentials along with complete transparency.

Now I am not a member of AIRR, nor do I intend to become a member. My life is a whole package of credentials that make me an expert at what I do. Credentialing is a tricky thing when it comes to indigenous healing systems, however. The requirements for holding specific titles are not uniform across cultures. What makes me an expert in my area does not make me an expert in your area, especially given regional and cultural differences. But the fact that my experience lies in a different, but related tradition does not make me any less reliable or competent than you (and I am speaking figuratively here).

But this brings me to an issue that just irritates the hell out of me. Why is it that people who have no idea of my experience or credibility are so quick to attack and squash? What is it with these people? And you know who you are...

Look, if you are going to criticize me and my work, then do so with intelligence. Read my work, learn about my background, dispute what you see with the facts and not with some side of the mouth, grade school playground bullshit. I welcome open discourse on any topic in which I have written...or not. I think intelligent discussion is productive and constructive. It keeps you and I in check and it keeps us accountable to each other and at our best. Nothing wrong with that.

As an academic with advanced degrees, I am used to having to back up every statement with proof. That is the culture of the academic world. If I say something about Native American healing for example, I better be able to back it up with facts or a damned good theory based on related literature and research. My name depends on this. I have taken this training and used it in my life as an indigenous healer, author, and rootworker. The training I have endured on an academic level makes the malicious gossip on forums a joke. But jokes can be hurtful.

My academic training is an afterward, though, to my spiritual training. I wasn't born an academic...I became one. I wasn't born in a university. I was however, born and raised in the unique, Voodoo and hoodoo rich culture that is New Orleans. I am a Creole woman and proud of it. And at the risk of sounding racist and absolutely not being racist, no white person half my age can tell me what I am and what I do is not legitimate. My earliest lesson that I can remember being an actual lesson was by a spiritualist aunt on the bayous of Mississippi when I was around five years old. I was instructed in the art of candle magick and communicating with Spirits. That's when my spiritual training started...at least, that's when I remember it starting. My whole childhood I was taught about plants, minerals and animals, what is referred to as herbalism and animal and mineral curios in today's hoodoo lingo. Back then, and I'll date myself, back in the 60s, we didn't call what we lived hoodoo. It was just life. It was fixing this and doing that or making a mess of somethin'...you get the picture.

And I'll share something else for those of you who feel the need to denigrate my name and for those of you who may just be interested in the juicy details. Do you know what it is like to grow up in the Deep South as a person of color? Nevermind the fact that I was a Voodooist (and in New Orleans, this includes hoodoo for many people, including myself). Do you know what it is like to have to shove your spirituality away underground just so you can maintain a measure of safety? But still, not be safe anyway? Do you know what it is like to pass as white when you can just to be accepted and not part of a "nigger hunt"? Yes, I said it...I said it because it is the sad ass truth. I can tell you that I know what it is like to be shown an oozie in the backseat of someone's car, ready to be used on such hunts, and praying to the Spirits that be that I would not be found out for who I am. Because many of my friends were white, and because I am creole, I was more accepted than my darker brothers and sisters. People focused on my Indian and Spanish heritage more than anything else. But these experiences affected me in a deep and profound way, and for a long time it affected me in a bad way because I internalized it, felt guilty, and punished myself for the sins of another.

At this point, if you are still reading, you may be wondering what does this have to do with hoodoo or Voodoo? Well, I am here to tell you that it has everything to do with it. Because hoodoo is not just a "magickal system" as it has been reduced to in contemporary writings. Hoodoo is part of the history of Louisiana, and I am part of that history, along with anyone else who was born and raised in the culture as I was.

Indigenous religions have for ever and a day been demonized by the predominantly White Christian majority. My ancestors were oppressed in the least and murdered at the worst for being who they were. The religions of my ancestors were made illegal and many were imprisoned. Children were stolen from families with the express intention by the government to break down the family systems and destroy culture. This was very effective. Hoodoo, that is, the use of herbs, roots, bones, natural elements and their spiritual qualities was not separate from Voodoo. According to Dahomean cosmology, the knowledge of how to utilize the sacred herbs, roots, bones, and other natural elements for controlling and changing one’s destiny was given to the people from Legba, who received the knowledge from the Forest Spirits. Hoodoo, in its form today, is a direct result of colonial government policies, church dogma, and slavery, and ongoing persecution of those who openly practiced the Voodoo religion.

And so I ask this question of my criticizers, is this part of your history? If so, what are you taking it out on me for? If not, what are you taking it out on me for?

See, the thing is that just because I was born a Creole doesn't mean I am immune to criticizing other people for what they do. There were times in my life that I am not proud of that I exhibited the behaviors of my oppressors too. I used words and actions to hurt other people, both on a magickal and a not so magickal level (its called lateral oppression in psychology). And then I was enlightened by a few good people who understood the soul wound that I was experiencing. The soul wound is the effect of intergenerational trauma on the psyche of the colonized. Yeah, it is somehow metaphysically technical and you will either get it or you won't. Either way, its okay. We all come to understanding in our own time and I am am certainly not one to judge another for their degree of enlightenment.

What this all boils down to with regards to name bashing on seemingly meaningless forums is tolerance and respect for self and others. You can either continue to be intolerant and disrespectful of someone you don't know and have never spoken to (but if you have read this lengthy post of mine you know me a little better), or you can quit being a cowardly gossiper and address me directly, like any self-respecting person and professional practitioner in any field should do. After all, if we are rootworkers in it for healing and light, then why not act like it.

Now, dispute THAT.

Copyright 2010-2013 Denise Alvarado, All rights reserved worldwide. Please ask if you would like to repost this article.

Hoodoo & Conjure Quarterly! A New Magazine for Hoodoo and Conjure Enthusiasts!

If you haven't heard by now, there is a brand new magazine on the horizon for folks whose souls lie deep in the heart of the conjure arts. I am so excited about this project and the response we have received from the endeavor...it just validates the need for such a magazine.

You may be wondering how this all came about. Well, I cannot take credit for the original idea...it came from Papa Legba who advises me on business opportunities on a regular basis. It was after petitioning him that it became clear this was a project worth attacking, so I pitched the idea to someone I thought to be my friend, who immediately said she was in, albeit mostly for friendly support.

Hoodoo & Conjure Quarterly it is a project that I believe should reflect the community of rootworkers, conjurers, folk magicians, authors, and artists inspired by Spirit and the conjure arts. This is proving to be a realistic goal as I have been approached by several folks who are eager to contribute in a variety of ways. I have wonderful interviews featuring notable folks in the magickal arts, as well as the every day rootworker. I am featuring professionals and those who practice privately or within their circle of family and friends. I am featuring a column on international hoodoo as it is evident this tradition has spread to all corners of the world. And, as an artist myself, I am featuring artists who are inspired by Spirit and conjure.

For example, the first featured artist is Deacon Gary, th' Georgia Mojo Man and his Allegedly Genuine Souvenir Mojos. Deacon Gary really was a deacon in a local church in his community, so he dons the title honestly; it is not just a clever title. The first time I set eyes on his art I knew he was ridden by Spirit to create signatures of love and luck to share with the world. Take a look at what he has to say about his conjuring process:

"Brethren, it is a true saying that "Mojos are curious horsemen", mounting steeds of diverse forms and sizes. And I, Deacon Gary, the Mojoman of Georgia, by the inspiration of the Creative Fire from the Great Creator Spirit, am appointed to the selection and acquisition of horses, worthy and acceptable, for Mojos to mount.

Once a horse, worthy and acceptable to be mounted by a Mojo, is chosen, then is the Mojo conjured to ride forth into the world."

Oh, there is so much more to this story but I have to save it for the magazine.

Another regular column you will find in Hoodoo & Conjure Quarterly is based on my new book the New Orleans Voodoo Hoodoo Formulary. I will share with our readers recipes for New Orleans oils, portions, gris gris, powders, floor washes, spiritual baths and animal and mineral curios. Few people outside of New Orleans Voodoo realize the influence of the French perfumeries on some of the formulas. And, some of the regional differences in the various botanical and zoological materials incorporated in ritual formulas within this tradition have been hotly and incorrectly contested in some of the forums. I think that sometimes people like to argue for the sake of arguing, and as a result miss the opportunity to learn a little something  that could quite possibly enrich their lives and practice.

These are just a few of the topics you will find in Hoodoo & Conjure Quarterly. To read more, please visit the official website Hoodoo & Conjure Quarterly.

Copyright 2010-2013 Denise Alvarado, All rights reserved worldwide. Please ask if you would like to repost this article.

How to Perform a House Cleansing

One of the most frequent questions I get from people is that of how to get rid of negative energy in the home. Sometimes the energy is defined as spirits, ghosts, evil entities, or just a general negative vibe. Regardless of the type of negative energy, it is necessary to start by performing a home cleansing. Sometimes, you have to do this more than once, particularly if the energy is pervasive or just downright stubborn.

Cleansings are a staple in New Orleans Voodoo and Southern hoodoo practice. Many works require a basic cleansing to be performed first, to remove any negative energy that may interfere with the work to be done. Cleansings are also done by themselves whenever a “clean slate” is needed. The goal of a cleansing is to restore a person to a natural, balanced state and to provide them with some immediate relief.

To perform a home cleansing, you will need some sage or cedar or sandalwood incense or holy water. You can also use some holy anointing oil to anoint the entrances to your home, such as doorways and windows.

This ritual calls for a spiritual practice called “smudging” wherein objects, people, or spaces are lightly covered with the smoke of incense, or the smoke of smoldering herbs such as cedar or sage. Simply light the incense or herbs and fan the smoke with your hand or a large feather. Offer the smoke to the helper Spirits by fanning it to the west, north, east, south, heaven, and earth and respectfully ask them to help you clear the area of all negativity.

Begin fumigating the area, beginning with the doorway. Smudge it, and all of the corners moving from the floor up, going clockwise. Smudge everyone present, starting from their front, going from their feet to their head. Have them turn around and repeat the procedure. Next use some Holy Water and sprinkle it (or you may place it in a spray bottle so that you can mist it) on the floor of the room or area you wish to have blessed. Mist each corner and move to the center of the room. Anoint the window sills and doorways of your home with holy anointing oil. As you are doing this, repeat the prayer of protection:

Prayer of Protection

The light of God surrounds me

The Love of God enfolds me

The power of God protects me

The presence of God watches over me

Wherever I am, God is

And all is well.

You may now thank God, the helper Spirits, or whatever Divine spirit you deem to be your Higher Power for their special attention.

Express your love, say “So be it”, and say goodbye. Your space is now properly cleansed.

At this point, you could bury a medal of St. Benedict in your front yard and/or carry one on your person for added protection.

You can find a complete line of cleansing and uncrossing products at my website Creole Moon.